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Heidi Chronicles

Heidi Holland and Feminism in The Heidi Chronicles

Wendy Wasserstein’s The Heidi Chronicles attempts to

demonstrate the futility of the women’s rights movement, and its incapacity to fulfill the needs of all women. We trace the main character, Heidi, from the time she develops an interest in men, 1964, to the time where she gives up on men and decides to fulfill her own needs for a family by adopting a child. Wasserstein shows the infiltrating changes in the life of American women with humor and sentimentality. Trapped between the controlling factors of responsibility and love, men and motherhood, gender and political theory, Heidi and her friends search for understanding and selfhood over a 40-year span.

In many ways, Heidi is a passive character. She is torn between her own desires and the influence of those around her when deciding the course of her life. For example, in Act 1 Scene 2, she meets Scoop. It is obvious she does not want to talk to him, but instead if being direct

. . .
Some common words found in the essay are:
Feminism Theater, Heidi Chronicles, Ann Arbor, H-E-I-D-I Wasserstein, A+ A-, Lisa Freidlander, Heidi A+, Sue Ellen, 1 scene, , act 1 scene, act 1, heidi chronicles, love heidi, womens rights,
Approximate Word count = 689
Approximate Pages = 3 (250 words per page double spaced)

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