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James Joyce

Stephen Dedalus, the main character in most of James Joyce's writings, is said to be a reflection of Joyce himself. In A Portrait of the Artist as a Young Man, the reader follows Stephen as he develops from a young child into a young artist, overcoming many conflicts both internally and externally, and narrowly escaping a life long commitment to the clergy. Through Joyce's use of free indirect style, all of Stephen's speech, actions, and thoughts are filtered through the narrator of the story. However, since Joyce so strongly identifies with Stephen, his character's style and personality greatly influence the narrator. This use of free indirect style and stylistic contagion makes Joyce's use of descriptive language one of his most valuable tools in accurately depicting Stephen Dedalus's developing ideals of feminine beauty.

As a very young child Stephen is taught to idealize the Virgin Mary for her purity and holiness. She is described to Stephen as "a tower of Ivory" and a "House of Gold" (p.35). Stephen takes this literally and becomes confused as to how these beautiful elements of ivory and gold could make up a human being. This confusion is important in that it shows Stephen's inability to grasp abstraction. He is a young


Again this illustrates a side of Stephen that is not comfortable with

past the "nets" which would hold him back. He feels as though he is being

conjure up images of decay upon the altar. As the prostitute approaches

calling he should have experienced. Instead he realizes that he cannot become

anxiety he felt waiting to hear word about the university. He heard a few of

Ad Majorem Dei Gloriem, a Latin phrase meaning, "For the Greater Glory of

presence to the calling of a life of art. He knows immediately that if he had

down the path in a peal of laughter hoping he would chase her. The conflict

no longer able to resist temptation and crosses that line into wretched sinner.



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Approximate Word count = 2571
Approximate Pages = 10 (250 words per page double spaced)


  

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