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Rise and Fall of an Inner Prodigy

An "angry and powerful" girl glares back at Jing-Mei in the bathroom mirror (Tan 1066). The girl is her newly discovered prodigy: a force that comes from within that could potentially empower her to unlimited heights of personal growth and success. Unfortunately, Jing-Mei, the daughter in Amy Tan's "Two Kinds", only allows her will to manifest into a weapon of "won'ts" to lash out at her mother with (Tan 1066). She does not think to create goals of her own because her only drive is to prove her mother wrong, act out in hurtful ways, and sell herself short in the process.

Jing-Mei is determined to prove to her mother, self, and family that her mother has no right to have pride and faith in her. After bragging to her sister about how her daughter plays the piano day and night, Jing-Mei's mother and piano teacher, Mr. Chong, arrange to have her perform at a talent show. Paving the way for her mother's shame and her own embarrassment, Jing-Mei does not apply herself to practicing and memorizing the piece she is to perform. The night of her performance, she is so taken with how pretty she looks that she forgets she can't possibly do well. She is even "surprised when . . . [she] hit the first


Rossetti, Christina. "A Birthday." Literature for Composition. 5th eds. Ed. Sylvan Barnet, et al. New York: Longman, 2000. 1065-1072.

wrong note" (Tan 1070). Even though Jing-Mei is embarrassed and ashamed, her lasting impression is her mother's devastated expression and damaged pride. Jing-Mei, sacrificing of her own pride, succeeds in proving her mother wrong to all.

Jing-Mei utilizes her will and perseverance as a weapon to hurt her mother with. After the recital, Jing-Mei "[feels] disappointed" (Tan 1071). She wants her mother to react and "start shouting, so that so that [she] . . . could blame her [mother] for her misery" (Tan 1071). Her mother silently retreats to her bedroom, leaving Jing-Mei holding her own shame. For two days, nothing is mentioned about piano practice or the recital. Jing-Mei assumes that she will never have to play the piano again. She is shocked when her mother demands that she stops watching television and to go practice the piano. Jing-Mei summons up her "inner-prodigy" to loudly and adamantly refuse. Her Mother abruptly shuts off the television and drags her to the piano bench and sits her down. Crying and staring up at her mother, she "could sense her [mother's] anger rising to its breaking point . . . [she] remembered the babies . . . [her mother] had lost in China . . . 'then I wish I were dead, like them!'" (Tan 1071). Jing-Mei knows this hostile refer

Some common words found in the essay are:
Tan's Kinds, Thirty-something Jing-Mei, Inner Prodigy, York Longman, Sylvan Barnet, Literature Composition, sylvan barnet, et al york, Ed Sylvan, york longman 2000, barnet et al, longman 2000 1065-1072, al york longman, ed sylvan, et al, barnet et, literature composition, eds ed, composition 5th, york longman, al york, 5th eds, Unfortunately Jing-Mei, Birthday Literature, Rossetti Christina,
Approximate Word count = 957
Approximate Pages = 4 (250 words per page double spaced)


  

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