Notes on Auteurism
The traditional model of an Auteur could be seen as a director that takes the script, and "transforms it into an original piece of work ". This may seem a rather ambiguous definition, but all that is needed to make clear what the practice of auteurism is, is one piece of work that fits the definition perfectly. Robert Altman’s Popeye is just that. Altman took an institution, that of Popeye, a classic American icon, and wrote it to fit it to his traditional thematic concerns. It has been Altman’s style to take a treasured and American figure whether it be "the Western" genre or Popeye, and turn the focus from the traditional action based narrative, to a more personal exploration. From the opening sequence it becomes obvious this is an Altman movie with the self-reflexive opening in which Popeye addresses the camera claiming "I’m in the wrong movie". Like in Brewster McCloud, where the MGM Lion asks for his line, it is Altman’s way of letting the viewer think about the film in a personal way making sure the audience realizes they are watching a movie. There is no third wall for Altman, as he constantly reminds the viewer of the fact that they are not viewing a reality, but a construct of media by placing various symbols throug
. . .
Some common words found in the essay are:
Olive Oil, Haven God, Popeye Altman, Sweet Haven, Sweet Havens, MGM Lion, Shelley Duvalls, Olive Oils, , Player Altman, olive oil, sweet haven, town sweet haven, audience characters, town completely, town sweet, town people, thematic concerns, obvious altman, port town, brewster mccloud,
Approximate Word count = 977
Approximate Pages = 4 (250 words per page double spaced)
|