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Foolery and Revenge

In most of the plays written by William Shakespeare there is always some act of revenge

or foolery. Whether it be in the gentlest of terms or set out to hurt someone intentionally, it is

almost always present. Trickery can be seen in many ways. It can be simply calling some one

names, or actually setting up a particular person despite the fact he/she has done nothing wrong.

The two plays I found the strongest connections with are "Twelfth Night" and "Henry IV(part

one)". These two plays, while totally different, are much alike in the respect that they both have

an underlying story about someone getting tricked.

The whole basis of the play "Twelfth Night" is disguises, and how well a person can

successfully trick the other into thinking they are someone else. It starts off with Viola, a young

woman who has crashed onto the coast of Illyria. Broke and without her family, she goes in

search of shelter. She decides to take disguise as a young boy Cesario, and serve the royal duke

Orsino. ". . . Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The

form of my intent. I'll serve this duke. Thou shalt present me as an eunuch to him. . ."(p1770,


and his clan. She lives with him, and watches how he advises Olivia to keep the house running,

insane, he begins to think that also. Why would they do this? Why has Sir Toby and Maria set out

Falstaff, they take every chance they can. It is until act three, scene three that Hal actually stands

target. As they leave the target in great valor, they are attacked by a swarm of robbers (Poins and

."(1785, 131-132) An affectioned ass that cons the state without book... These words said by

no spite but their own, Sir Toby, Maria, Sir Andrew and Fabian decide it would be great fun to



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Approximate Word count = 1019
Approximate Pages = 4 (250 words per page double spaced)


  

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