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immortal beloved

The film opens with Schindler (Jeroen Krabbe), Beethoven's confidante, beginning a search for the immortal beloved. As he visits the important women in Beethoven's life, we see flashbacks to the composer's disorderly and precarious existence, and we hear music, magnificent music. Taking the mysterious letter that Beethoven wrote to his "Immortal beloved" as the starting point, we follow his secretary's attempt to identify the person to whom the letter is addressed. No one knows, to this day, who that person really is, but the film offers an interesting theory. The letter, however,

is just a device to tell the story of the wild genius that personifies the Romantic Movement in art.

Gary Oldman plays the prime role of Ludwig Van Beethoven in the film. He is a man on the edge of madness, obsessed with women, even more obsessed with Karl (Marco Hofschneider), the young nephew he ho


If Johanna is one of the three most important women in Beethoven's life, the other two are Countess Giulietta Guicciardi (Valeria Golino), who becomes his student and patron. The other is Countess Anna Maria Erdody (Isabella Rossellini), who stands up to Beethoven after he has gone into court to wrest young Karl away from Johanna, his mother.

pes to turn into a prodigy. He wages a lifelong campaign of hate against Karl's mother, Johanna (Johanna Ter Steege), telling his brother Caspar (Christopher Fulford) she is a foul slut. The movie proposes an interesting explanation of Beethoven's hatred of her and love for her son, one which

the boy's tearful pleas to be allowed to become a soldier.

Beethoven's deafness is a subject through much of the film, including a precarious scene where the Rossellini character leads him from the stage after he grows confused during a public performan

Some common words found in the essay are:
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Approximate Word count = 619
Approximate Pages = 2 (250 words per page double spaced)


  

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