Blake's Sogs of Innocence and Experience Analysis
THIS IS A ROUGH DRAFT NOT THE FINISHED FORM!!!!In William Blake's Songs of Innocence and Experience, the gentle lamb and the dire tiger define childhood by setting a contrast between the innocence of youth and the experience of age. The Lamb is written with childish repetitions and a selection of words which could satisfy any audience under the age of five. Blake applies the lamb in representation of youthful immaculateness. The Tyger is hard-featured in comparison to The Lamb, in respect to word choice and representation. The Tyger is a poem in which the author makes many inquiries, almost chantlike in their reiterations. The question at hand: could the same creator have made both the tiger and the lamb? For William Blake, the answer is a frightening one. The Romantic Period's affinity towards childhood is epitomized in the poetry of Blake's Songs of Innocence and Experience. "Little Lamb who made thee/ Dost thou know who made thee (Blake 1-2)." The Lamb's introductory lines set the style for what follows: an innocent poe!
minister waxing warm and fuzzy for Jesus, and a fiery evangelist preaching a hellfire sermon. Instead of the innocent lamb we now have the frightful tiger- the emblem of nature red in tooth and claw- that embodies experience. William Blake's words have turned from heavenly to hellish in the transition from lamb to tiger. "Burnt the fire of thine eye (Blake 6)," and "What the hand dare seize the fire (Blake 7)?" are examples of how somber and serrated his language is in this poem. No longer is the author asking about origins, but is now asking if he who made the innocuous lamb was capable of making such a dreadful beast. Experience asks questions unlike those of innocence. Innocence is "why and how?" while experience is "why and how do things go wrong, and why me?" Innocence is ignorance, and ignorance is, as they say, bliss. Innocence has not yet experienced fiery tigers in its existence, but when it does, it wants to know how lambs and tigers are supposed to co-exist. The po! nd it's creator. It is divided into two stanzas, the first containing que
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Approximate Word count = 712
Approximate Pages = 3 (250 words per page double spaced)
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