How can there be intertextuality between The Stranger and anything else within this universe? Camus would think it absurd! The mere idea that an absurdist novel could have a connection with something other than itself seems pure rebellion against its core philosophic principles. Can one not see the inescapable irony created within the task of finding such intertextuality? But if a connection must be made, what then should it be made to? The clear answer is nothing. In Waiting for Godot by Samuel Beckett, nothing is accomplished by Vladimir's and Estragon's waiting for Godot. In Albert Camus' The Stranger Meursault's feeling of nothingness, apathy, lack of hope, and disconnection to the world is why his life simply passes before him. It is this intertextuality between Godot and The stranger; that of nothingness, the lack of hope and ambition to take action in ones life, that ties the two works hand in hand in an existential matrim
One of the complexities of Literature of the Absurd is that it is often difficult to define a theme, since the very absurdity of the work is focused (usually) on man's inability to make sense of things. The human condition is a dismal and distressful state; the derelict man struggles to live or rather exist, in a hostile and uncaring world. A sense of stagnancy and bareness captivates man, and whenever he tries to assert himself, he is curbed. Both Camus and Beckett encompass all of the aforementioned through their literary works The Stranger and Waiting for Godot respectively. In the end, the eternal hopelessness of life permeates every aspect of both works of literature.
In Beckett's words, human life is the endurance and tolerance to "the boredom of living" "replaced by the suffering of being." These phrases speak volumes of a philosophy born out of the harsh human realities. Vladimir and Estragon are blissfully and pain
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