Architecural style of Adolf Loos

A detailed Summary of Architecural style of Adolf Loos

The Architectural Style of Adolf Loos

Adolf Loos was born in Brunn, Czechoslovakia on December 10, 1870. His father was a stonemason and a sculptor, and at a young age he received training in his father's trade. He had much interest in architecture however, and went to Dresden to study it from 1890 to 1893. Then after a few years of working in the United States as a mason, a floor layer, and a dishwasher, Loos returned to Vienna ready to be an architect. He joined a builders' firm there in 1896 (Kunstler 25).

Loos became known for his very modern views on architecture. He didn't see architecture as just an art, he saw it as a way of updating people's lifestyles to truly more modern ones. Loos also felt that all building methods should be supported by reason, he believed that if an architectural work could not be justified on rational grounds, then it was just for show and should be eliminated. (www.greatbuildings.com).

To Adolf Loos, there was always a big difference between architecture and art. He saw architecture mostly as a way of helping the people of his time move forward into a more modern age by designing things that were more modern and unlike other things being built at that time. "Architecture is not ar

Loos was one of the pioneers of modern architecture. Not many of his works are still around today, but those aren't what were so important to his profession. His new, radical, modern views were the important part of his work. He didn't just design buildings as most architects do. He put a part of himself into everything that he created. He thought of his own new ideas, and put his heart into his work. Every design had a reason behind it. Loos was one of the few architects that thought he was better off if he strayed from the norm. He thought that it was better to be original and come up with his own original ideas instead of designing things that have already been designed. These new views were an important part of the transition into the new age of modern architecture.

Loos not only used architecture, he extended craftsmanship into his field of work. Many of his designs included interiors, which he believed were very important to creating good modern architecture. This included the designing of furniture, graphics, carpeting and domestic appliances (Gravagnuolo 12). These things he thought made up the body of industrial design.

"The search for progress is only of value so far as it is positive, and if the new is false, it is better to work with the known." (Adolf Loos). Loos is referring to artists that try to create fancy new kinds of architecture that no one will want. The architect should create things for a reason, like helping people have more modern ways of life. This is what Loos tried to do, and this is why many of his works included interiors, because he wanted to give the customer something useful that will help them make positive changes in their life (www.greatbuildings.com).

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Approximate Word count = 1177
Approximate Pages = 5 (250 words per page double spaced)

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