Despite the conventionality of television drama, there are moments when alternative strategies emerge which continue to explore the boundaries of the medium."
Often, while sitting in front of the television, we hear one another predict what is going to happen next, or play a guessing game as to how this week's "issue" of a prime time TV drama will be resolved before the hour runs out. Our minds have become accustomed to the tried and tested conventions tirelessly used by most TV producers. Our eyes have become reliant on the bright, colourful studios, the numerous camera angles, the choreographed stances and deliberations of the actors. Our ears have come to expect clean, politically correct, cheerful language. We assume every problem will be resolved within the confines of an hour - every cloud has a silver lining…. and every action within a TV drama serves a purpose to produce future drama.When a drama hits our screens that doesn't pander to these conventions - that breaks almost every one of them, it makes us sit up in our seats. We look around with puzzled faces - maybe not realising how it's different, just knowing it's not what we've come to expect. There have been quite a few British dramas that have made up sit up in our seats in the last few years. Last Summer saw the emegence of a new type of voyeurism when 'Big Brother' appeared on our TV screens and took over the
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Some common words found in the essay are:
Amy Jenkins, Life's Success, Guardian June, Register August, , Katherine Viner, British TV, Tony Garnett's, Ferdy Egg, Movie Database, 'this life', media guardian, june 16, 16 1997, guardian june 16, media guardian june, june 16 1997, guardian june, katherine media guardian, viner katherine, katherine media, viner katherine media, bbc america, soap opera, according garnett,
Approximate Word count = 3623
Approximate Pages = 14 (250 words per page double spaced)
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