Edgar Allan Poe
Edgar Allan Poe, renowned master of the horror story, conceives an utterly despicable tale of dismay entitled "The Cask of Amontillado". A mentally gruesome account of revenge, the story concerns only two sketchy characters with indefinite past. Definition of character is irrelevant to Poe's literary purpose of quickly sharing one man's hideous design of premeditated murder and his carrying out thereof. Poe's lyrical genius accomplishes this purpose through the use of specific literary elements such as tone and style, symbol and irony, and, all encompassing, theme. By reputation, Poe's anecdotes are typically mysterious and chilling; his characters are often diabolical and deranged. Nevertheless, pretenses of his often-unusual climaxes are never granted. In "The Cask of Amontillado" Poe's tone is predictably eerie, gripping, and peculiar. By setting the story within dark and morbid catacombs, Poe easily lures readers into experiencing the exact effects he wishes to convey. Poe utilizes language to set the story's tone. Tone is atmosphere or mood words. For instance, the story could be described as suspenseful, dark, eerie, gripping, dynamic, thrilling, peculiar, creepy, spine-chilling, sinister, frightening, or alarmi
"The Cask of Amontillado" features more symbol and irony than any other literary element. These two elements are what distinguish Poe from other writers, that is, his uncanny ability to make reference to people, places, or things that have a separate meaning in themselves. Poe utilizes two main kinds of irony: dramatic and verbal. Dramatic irony is where the reader perceives something that a character in the story does not, and verbal irony is when character says one thing and means something else. An example of dramatic irony is when Montressor and Fortunato are walking to reach the "wine" and the reader is aware of Fortunato's ignorance towards his fate. Other examples of dramatic irony: the fact that there is a carnival taking place above the dark catacombs where the chilling story takes place and Montressor's coat of arms is ironic because it foreshadows the inevitable fate that awaits Fortunato, of which he is unaware. Fortunato's name resembles the word "fortunate", which is ironic because Fortunato is hardly fortunate in this story. Examples of verbal irony include, Montressor toasting to Fortunato's long life, also Montressor's asking Fortunato whether they should not proceed into the catacombs, for Montressor is concerned with Fortunato's cough. Fortunato's ironic response was "I will not die of a cough." and Montressor replies calmly, "True, true...". The final use of verbal irony exist in the last sentence of the story when Montressor says, "In p
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Approximate Word count = 994
Approximate Pages = 4 (250 words per page double spaced)
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