Architecture is the art or practice of designing and building structures. American architecture varies significantly from architecture of the ancient world. American architecture began around the seventeenth century. Settlers from different European countries brought with them, during the North American colonizat

City Hall was designed by Peabody and Stearns, and built in 1898 by the Norcross Company. The tower rises 205 feet above the street. It is reminiscent of an Italian Palazzo. However, much of the building is done in the Renaissance Revival style. The four-story building was constructed of grey milford granite. When you face City Hall you will see the imposing carving of an eagle above the doorway. There are two small-carved lion heads on either side of the extended doorway. High on the tower on the four corners near the clocks you will see carved lions holding shields. There are many leaf patterns throughout the structure. The gargoyle like statues gave a sense of Gothic revival to the building. Also used to "purify" the monument and give it aesthetic assessment.

The twentieth century also saw great influence from the Colonial Revival Style. This style primarily flourished in the United States and Australia, as well as other countries with predominantly British influence. The revival of this style became exceedingly popular in domestic architecture and interior design, largely for its contrast to the ornate beauty of the influential Gothic Revival at the turn of the century, which many considered flamboyant. Colonial Revival was well received as being a patriotic style in both the United States and Australia, and new works were constantly being commissioned in this style. A similar stimulus produced revivals of colonial styles in other countries, such as South Africa, where the Cape Dutch style was revived in work by Herbert Baker around the end of the 19th century, and Brazil, where features of Portuguese colonial architecture appeared in the work of Lúcio Costa. Colonial Revival houses have details similar to those in earlier Federal and Georgian houses, but much larger in scale, more complicated in shape and with much heavier ornamentation than the earlier styles. Common characteristics of these buildings are symmetrically arranged facades, large, wrap-around porches, and plate glass and stained- glass windows, often arranged in pairs or groups of three. Colonial Revival style is, in itself, a mix of styles, and immensely popular. Many "double decker" or two-family houses were built in the Colonial Revival style. At the complete opposite end of the spectrum from these modes of design is the movement that evolved from the Bauhaus, a school of art and architecture founded in 1920's Germany by an artist called Walter Gropius. The basic idea behind this form of design was that all excess ornamentation should be eliminated, and that everything should serve the purpose for which it was meant. This has had tremendous impact on 20th-century design, forming the basis of the movement called modernism.

In the second half of the nineteenth century, the United States advanced into the new building technologies. Engineering became a distinctly separate profession. One of the most famous all American achievements was the Brooklyn Bridge, designed by John and Washington Roebling. The commercial buildings and skyscrapers of big cities were admired greatly.

The Guggenheim Museum is one of the boldest attempts of breaking the box, and a concept that Wright dealt with in a lifetime of design, while at the end of his career he designed a tubular structure with walls that wrap around it to describe in pure essence the use of the curve and freedom of form. This museum is a complete contradiction to the former Corbusier box, and was a bold attempt by Wright who is considered one of the most influential designers ever, and it comes at the end of an extensive career in avant-garde architecture, that incorporates influences from a multitude of cultures.

One of America's most influential and imaginative architects was Frank Lloyd Wright. Throughout his 70 year career, Wright has not only designed nearly a thousand structures, but he has explored the ideas of living space, landscape, and the relationship between archit

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