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King lear realizes his flaws

Of all Shakespeare's great tragic heroes, Lear is perhaps the least typical. In the beginning of the play Lear is already an old man; his best days have passed, though doubtless there is still about his person a certain regal carriage. Lear’s petulant behavior betrays him, and soon, when he engages his three daughters in the dreadful game of flattery, wherein Goneril and Regan swear the whole allegiance of their hearts to a father, leaving nothing for a husband, it becomes clear that Lear is something less than natural. In the first act, Lear assumes one of the least attractive roles in Shakespearean literature, that of a bad father. Lear at first does not realize that his temper and deep seeded need of blandishment leads to the usurpation of his divinity. Only through rejection and madness is Lear able to understand and change his destructive attitudes and behavior.

As a tragedy, King Lear portrays a protagonist whose fortunes are conditioned by his hamartia, or tragic flaw. As defined by Aristotle, “the protagonist of a tragedy should be a person ‘who is not eminently good or just, yet whose fortune is brought about by some error or

. . .
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Approximate Word count = 772
Approximate Pages = 3 (250 words per page double spaced)

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