In Nathaniel Hawthorne's "The Minister's Black Veil," elements of uncertainty, secrets, and sin are expressed through allegorical figures. Hawthorne explores the human psyche in one of its most raw coming to terms with peoples' most intimate fears.
Humans have an innate fear of the unknown, and what they do not understand is often misconstrued as evil. Mr. Hooper, a respected reverend in a small town, pushes these emotions to the limit when he shows up to church one Sunday afternoon wearing a black cloth concealing his face. Automatically, questions are raised by the congregation about his motives for wearing "such a terrible thing." The people do not understand and assume that the minister must be hiding something. As Mr. Hooper goes on to preach about secretive sins and the my
steries that humans tried to hide from one another, and even their God, "each member of the congregation" from "the most innocent girl" to "the man of hardened breasts" begins to feel "as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought."
Although the veil did ostracize Mr. Hooper from his community in many ways, it also united them. The veil showed his parishioners that not one mortal was free of sin, and that everyone lived with secrets in their hearts. "Its gloom, indeed, enabled him to sympathize with all dark affections."
Mr. Hooper himself soon becomes so troubled with his own image that "he never willingly passed before a mirror, nor stooped to drink at a still fountain, lest, in its peaceful bosom, he should be affrighted by
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