Analysis of Janet Green's Still Life With Tamarillos

A detailed Summary of Analysis of Janet Green's Still Life With Tamarillos

5. Analysis of Janet Green's "Still Life with Tamarillos"

"Still Life with Tamarillos" is an exceptionally detailed artwork. The artwork consists of a platter of tamarillos in the Flinders Ranges in South Australia. It is an artwork painted by acrylic on board, and every paint stroke is delicately realistic. This follows her usual formula of a still life image in the foreground of a truly Australian landscape. No relationship is evident between the still life image and the landscape. No interpretation of her work is necessary. Green says she aims for her work to be visually pleasing and does not attempt to put an idea or concept forward. All in all, for what Green has set out to do, "Still Life with Tamarillos" is a very good artwork. Green is obviously one of the most technically proficient Australian artists around.

"Still Life with Tamarillos" is an artwork based in the Flinders Ranges in South Australia. It has a platter of food in the foreground of the image, consisting of an old what appears to be a saucepan, full of tamarillos, and an old corroding can full of gr

And Green does this very well. She is just so good technically, that her images come together exceptionally. "Still Life with Tamarillos" is a brilliant artwork, and being sold for $5,750 seems like a bargain to any true art collector. It follows Green's formula which she uses so well. The detail in this artwork is so good. She uses colours well, and despite having no apparent relationship between her foreground and background, a true sense of peace is created. All in all, "Still Life with Tamarillos" is a superb piece of art.

It is suprising then, that Green says there is no motive beyond making the artwork visually pleasing in creating this artwork. She says she aims to 'please your eyes'. And she does too, quite well in fact. She appears to be influenced by early masters of the Flemish, Italian and Spanish schools, where 'truthfulness to nature was the rationale' . Unlike those masters, according to Solander Gallery director Joy Warren, the strange thing and possibly even an abstract idea about this artwork, and in fact that of all her work is the fact there is no relat

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Approximate Word count = 734
Approximate Pages = 3 (250 words per page double spaced)

Category: Arts

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