At the beginning of Psycho we are shown the precise location, date and time as Hitchcock's mischievous camera work places the viewer at the voyeur end of the action from the first shot which enters a lover's mid-afternoon tryst in a hotel room through an open window. The implicating camera later witnesses Janet Leigh's undressing through a peephole and the violent and ultra-voyeuristic shower scene which compels viewers to intently watch for any glimpse of nudity that the quick editing m

Some of the great minor touches of "Psycho" are the symbolic stuffed birds in Norman's office and the "pecking" conversation that highlight the impending chaos of the film. These are coupled with the splendidly frightful shower scene, the detective's murder in the Bates mansion and the discovery that Mrs. Bates is not quite who she appears to be. Looking back, "Psycho" is magnificently well written with witty symbolism and subtle sinister conversations setting up the horror magnificently. I feel that the greatest aspect of this film is the echoing observation that "We all go a little mad sometimes" after the implicating voyeurism of this dark and disturbed masterpiece.

Another way Hitchcock provided suspense was when Arbogast walks into the Bates' house, where Hitchcock alternates the shots of Arbogast ascending the staircase with a subjective view from Arbogast. In doing this, Hitchcock provides the viewer with a reason for their union. During the murder event the camera angle was extremely high producing images of a woman dashing at Arbogast with a knife. The audience fears for him, they have seen through his eyes. Hitchcock immediately switched this fear to exhilaration and blood thirsty excitement by cutting to a subjec

Some common words found in the essay are:
Bates Arbogast, Janet Leigh's, Alfred Hitchcock's, Norman Bates, Looking Psycho, Norman Bates', norman bates, shower scene, easy relate, subjective view, janet leigh's,
Approximate Word count = 830
Approximate Pages = 3 (250 words per page double spaced)