Gustave Caillebotte

A detailed Summary of Gustave Caillebotte

Though mostly known for his patronage of well-respected figures like Renoir and Monet, and his generous contribution of his Impressionist collection to the French government, Gustave Caillebotte was also a very sensitive and intense artist. Influenced by the structural and emotional changes of the Industrial Revolution, he observed and communicated; perceived and created.

Gustave Caillebotte was born to a respected and wealthy bourgeoisie family in 1848. To fulfill his father's expectations, he was trained to become and engineer, but his passion for art made him leave that profession and study in the École des Beaux-Arts in Paris. That is where he met the artists Renoir and Monet, and became very involved in the Impressionist movement. Caillebotte became the chief organizer, promoter, and financial supporter of the Impressionist exhibitions for the next six years, and he used his wealth to purchase works by Monet, Renoir, Camille Pissarro, Paul Cezanne, Edgar Degas, Alfred Sisley, and Berthe Morisot. When he died, he contributed his collection to the French government.

In the midsts of the Industrial Revolution, between 1789 and 1852, European cities were becoming exceedingly crowded with workers who

could no longer make a living in rural areas, while business owners were improving their production efficiency to increase their profits. As a result of the sudden increase of population, Baron Georges Haussman changed the structure of the city by destroying old buildings and constructing new buildings, railroads and bridges. The bourgeoisie's obsession with lucrative business forced lower-class workers to compete with technology. This state of man versus machine contributed to the increased segregation of society and the further pursuit of social equality through communism.

In his later years, Gustave Caillebotte spent less time painting and more time sailing and working in his garden. He died of pulmonary congestion in 1894. In his will he left his entire collection to the French government providing it hang in the Musee du Luxembourg first. The government saw his impressionist collection as a hassle and did not wish to exhibit it at first. Today forty works from his collection hang in the Musee d'Orsay.

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Approximate Word count = 873
Approximate Pages = 3 (250 words per page double spaced)

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