Major Personalities behind the Secularization of Music
Music has been with us for a very long while. In fact, part of being human is an appreciation of the finer arts. However, music's role has remained anything but constant throughout history. Music has gone from a mathematical science to a synthesis of melody and harmony. Many wonderful pieces have been written for religious purposes. Many more have been written for the secular world. The art of music has not always been that way. The Roman Catholic Church, for the longest time, was the only source of music that was approved by societies. Little by little, that changed. The secularization of music could not have occurred with out a secularization of the whole of western culture itself. While no one person can be single handedly responsible, there were many people who contributed to the gradual move of music away from the church. To understand some of the later developments that were made in music, one has to look back on the beginning of western musical thought. Many people associate the beginning of the western world with the tribes that migrated and eventually conquered the Pelopeniasian lands, the area that was eventually called Greece. Greece was one of the first cultures to emerge in the west outside of the Fertile Crescent.
It was certainly the first to leave clues as to how the culture thought. Greek scholars like Aristotle, believed that music should be grouped up as to its purpose. There was the solemn, disciplined and restrained music, Apollonian, and the wild, emotional, unrestrained music, the Dianysian. The Apollonian was usually reserved for the serious moments where wild displays of raw emotions were looked down upon. That included prayers, religious services and funerals. The Dianysian was the music used for dancing and celebrating. The whole of the Greek musical theory revolved on keeping those distinctions in mind. The Greeks viewed music as a science. That is an important point. The fact that the Greeks looked at it as a science rather than a religious experience let them have more freedom to study than the later cultures. It was a science, and the nature of science is experimenting. "What if you jiggle your left index finger on that high note?" If there is five hundred years of doctrine saying it is a sin to do that, a composer will feel less inclined to add it in. If you are in a culture that celebrates music as a science, a composer feels they have more freedom to add anything they want in. Rome was an extension of Greece. They were a conquering race of people who had a history of taking what they wanted from a conquered enemy and burning the rest. The Romans were very impressed with the theory of music that the Greeks had. They took it back to Rome and altered it slightly to please them. One of the ideas the Romans kept was separate types of music. There was "Music of the Spheres", the serious music that made you think and have deep emotions to, and there was the "Music of the Human", the dancing, not-too-deep, party music that you had urges and acted upon them. Music had come full circle after the church controlled it for about one thousand years. It should not be said that the church was wrong to have controlled it in the first place. A little artistic restriction that is eventually done away with is a better thing than letting all of music's past crumble away to dust. Music, and indeed all the arts, is like a living thing. They need to grow or they will become stagnate and waste away. The church could not hold on to power forever. Eventually, the strains on it became too much. The Holy Roman Empire was a constant threat to Rome. The dwindling Byzantine Empire could not hold back the Muslim Turks for much longer. Eventually, a group of scholars got together and decided to look for the best of the best. Find the greatest minds in Philosophy, Mat
Some common words found in the essay are:
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Approximate Word count = 1731
Approximate Pages = 7 (250 words per page double spaced)
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