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MONET'S GREEN REFLECTIONS

Since the dawn of time, man has been inspired by the beauty of art. The Macquarie Concise Dictionary describes art as "the production or expression of what is beautiful, appealing or of more than ordinary significance". I interpret the word art to refer to the physical reproduction of the artists own perception of the world around them.

A masterpiece is defined as "a consummate example of skill or excellence". Therefore, when in search of a masterpiece of the artistic category, we must take into account the proficiency and dexterity displayed by the artist. With these basic principles in mind, it is my belief that one cannot surpass Monet's series entitled "Waterlilies" and more specifically the painting "Green Reflections".

I have adored the "Waterlilies" series for a number of years. It was its originality that first appealed to me. "Green Reflections" is my favourite due mainly to the use of the green colour to indicate darkness of the water. The painting seems busy, yet not overpoweringly so. There is much for the eye, while allowing room for personal interpretation.

Visually appealing, "Green Reflections" is a classic example of Monet's personal style, being both scientific and painterly.


g has captivated many admirers with its pretty pastel colours, prevalent in many of Monet's works. The yellows and pinks of the lilies are in strong contrast to the deep blues and jungle greens of the water.

Monet's technique developed over many years. By the mid-1880's Monet, generally regarded as the leader of the impressionist school, had achieved significant recognition. It was with this new-found fortune that Monet purchased the property at Giverny, just outside of Paris. "Green Reflections" was painted in 1906, on this property. His garden was a splendid juxtaposition of colour, lush over-growth and dense foliage. The exotic plant and wildlife that thrived in this handmade sanctuary were the focal point of Monet's work towards the end of his life. The lily pond featured in "Green Reflections" also appeared in other works such as "The Japanese Footbridge".

The "Waterlilies" series was a number of paintings of the same lily pond. The defining characteristic of "Green Reflections" is that it was the only one of the group painted at night. Monet's fascination with light and colour was the fuel behind this concept.

Being an impressionist painter, very little of his works used line and shape. "Green Reflections" is no exception. Irregular patterns are prominent with little regard for structure and realism.



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Approximate Word count = 953
Approximate Pages = 4 (250 words per page double spaced)


  

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