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sahure ancient egyptian art

On Sunday, November 7th, I took a trip to the Metropolitan Museum of Art in New York City. The Ancient Egyptian Art exhibit that was on display amazed me. One of the most alluring pieces I saw was “Sahure and a Nome God,” a gneiss high-relief statue which was created between 2458 BCE and 2446 BCE. In this statue, the second Egyptian King of the Fifth Dynasty, Sahure, sits on the throne with the small god of the Coptite Nome to his side. Although the statue was quite small, only sixty-four centimeters in height and forty-six centimeters in width, it demonstrates many features akin to Egyptian Art.

Art enthusiasts can immediately notice the origin of this statue because of its rigidity, an indicator of art originating in ancient Egypt. Part of the reason for the stiffness of the statue of Sahure and the nome is because it was constructed in relief. A “relief” statue is still attached to a surface or background, whereas a statue that is “in the round” is independent and freestanding, and can be seen from every angle. Statues that are in high relief rise significantly from the surface, while statues that are in low relief r

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Some common words found in the essay are:
Ancient Egyptian, Art Art, Specifically Sahures, Coptite Nome, Nome God, Sahure Sahure, Additionally Sahure, Egyptian Art, ancient egyptian, Dynasty Sahure, , egyptian art, perfect posture, relief statue, egyptian statuary, statue sahure, ancient egyptian statuary, sahure nome, ancient egyptian art, clenched fists, relief rise, statue relief, statue relief statue,
Approximate Word count = 759
Approximate Pages = 3 (250 words per page double spaced)

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