Robertson Davies raises some interesting points in his essay The Conscience of the Writer. He explains that a 'real writer' is one for whom writing is a full-time activity. He then proceeds to categorize writers into a group of whom he admires and whom he doesn't. The group of writers he admires the most all have a characteristic which distinguishes them from those he doesn't admire; that is the pursuit of great writing through themes.
Davies also claims that the greatest writing comes from a deep psycho-analysis of one's self and the act of putting ink to paper after a revelation of one's conscious is what creates many classics. When one delves into his or her own inner psyche, the result of this scrutiny often creates the most beautiful novels. These novels are classic not for the themes they expl
Writing is rarely about a story. Great writers should not be seen as puppet masters narrating with marionettes. Writers are more like mad chemists, brewing chemicals in strange containers, mixing substances and in the end shouting "It's Alive!!" with an evil cackle. The great writers use every tool at their disposal, spending laborious amounts of time creating these magic potions.
Writing isn't a fine art. It doesn't have beautiful colours or delicate shades; it doesn't have sharp curves and perfect circles. Writing is in a category all its own. It paints a picture and show's emotions; it creates a scene and transforms a world. . A writer chooses to expose himself, naked to the world's eye, showing every weakness and strength, every moral dilemma the writer faces. To write is to ignite the imagination of the soul.
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