Gigamesh
Like all epics, Gilgamesh contains both historical and mythic elements in all its versions, and is meant to be interpreted on several levels. In addition to its very human themes of friendship, courage, the problem of death, and the meaning of life, it is also an initiatory tale about the quest for enlightenment, the revelation of divine mysteries, the duality of man, and the evolutionary unfolding of our spiritual nature. The physical composition of the Babylonian recension discloses an intentional number symbolism: 12 tablets, each containing about 300 lines divided into 6 columns. More importantly, Gilgamesh is meant to be read as an extended metaphor, a spiritual biography as much about ourselves as about the Sumerian hero-king. Calling across nearly 5,000 years, it is a potent reminder of the timelessness and relevance of the ancient spiritual path.Here I will adopt a definition offered by Finnish folklorist Lauri Honko. He summarize four criteria of myth with respect to form (narrative of sacred origin), content (cosmogonic in terms of cultural origin or existential condition), function (model for human activity), and context (in the sense that myth provides "the ideological content for a sacred form of behavior"). It is
. . .
Some common words found in the essay are:
Enkidu Gilgamesh, Lauri Honko, , Epic Gilgamesh, Example Context, Lauri Honko's, Uruk It's, Content Enkidu's, Gilgamesh Civilization, epic gilgamesh, Christopher Siren, gilgamesh translation, slay monsters, criteria myth, human life, meaning life, epic gilgamesh translation, gilgamesh epic, world deeds,
Approximate Word count = 1130
Approximate Pages = 5 (250 words per page double spaced)
|
 |