Eternal Springtime
Auguste Rodin's sculpture Eternal Springtime is a perfect example of a neo classical piece of art. Rodin, a French artist, created the piece in the late 1800's out of painted plaster, which stands roughly twenty six inches high. The sculpture is comprised of two lovers passionately intertwined in each other arms, wrapped in an everlasting embrace. Similar in earlier holistic Greek sculpture, the two lovers are exaggerated in their passion for each other, thus forming a dynamic composition. The god-like male figure dominates the composition as he forcibly kisses the woman passionately; the woman, in turn, submits to his kiss and succumbs to her innermost desires. The movement of the sculpture suggests that the artist wants to place emphasis on the physical aspect between the two lovers. The male figure is supporting the female physical by curling his arm behind her back, how ever this might also fit into the stereo type of that time. Men were the bread winners and they supported the women, who were view as inferior to males in the public's eye. Therefore, it was typical that paintings and sculptures depicted the male as dominant figure, to support the women as well as protect them. Where as the women were more less
There is a great sense of eternity in this kissing of the two lovers. It is much like how a photograph might capture a certain period in time, the same is happening with the sculpture. Except instead of just capturing a period of time Rodin has managed to capture a lot more. He has created a story with out words. It is the panicle point where the two lovers are so incredibly passionate and infatuated with each other that what they are experiencing is something much more than simply making love. It is young free, souls experiencing love beyond the physical boundaries and limitations. This epic story of internal emotions intertwining with physical sensations is eternal and will live on throughout time. Every aspect of the sculpture is trying to exemplify beauty and eternity. This is achieved through the physical appearance of the two figures. All of the there body parts are in proportion to one another. It is the ideal couple. The male is slightly bigger and more masculine, while the lady is molded with a softer tender feminine look of that era. The arms and legs are the correct law of gravity hold to be true. The female in the composition is falling into the arms of the man. The man anticipates the weight of the women and must situated his legs accordingly to balance the women. This proofs that the artist had to have been thinking rationally, to have sculpted this realistic yet flawless piece of art. Rodin shows his abilities to show rational thought and reason by applying scientific method to a situation which was before that based entirely on feeling therefore showing how he is being lead toward the enlightenment views of the world and is tempted and forced to convey it through his work. In conclusion Auguste Rodin as an artist depicts in his sculpture of the t
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Approximate Word count = 1200
Approximate Pages = 5 (250 words per page double spaced)
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