Herbie Hancock
If not for the amazing reign of Miles Davis, pianist Herbie Hancock might qualify as jazz's most well-known, popular performer since the '60s. Hancock had 11 albums chart during the '70s and 17 between 1973 and 1984, including three in 1974, figures that puts him well ahead of any other jazz musician in the '70s and beyond. He's also among jazz's finest eclectics, having played everything from bebop to free, jazz-rock, fusion, funk, instrumental pop, dance, hip-hop and world fusion. Hancock's style, greatly influenced by Bill Evans, mixes introspective and energetic elements, and fuses blues and gospel influences with bebop and classical elements. He's both a great accompanist and excellent soloist, whose vocals, phrasing, melodic and interpretative skills and harmonic sounds were impressive early in his career, and remain sharp no matter what style or idiom he's working with. Herbie Hancock, born in 1940, began playing piano at his home in Chicago when he was seven years old. He gave his first public performance two years later, when he performed Mozart's D Major Piano Concerto with the Chicago Symphony when he was 11, and in high school he picked up an ear for jazz. He formed his own jazz ensemble while attending Hyde Park H
. . .
Some common words found in the essay are:
Herbie Hancock, Stone Hancock, Institute Jazz, African Indian, Bill Evans, Henderson Hancock, Chameleon Hancock's, Return Headhunters, Chicago Symphony, Future Shock, hancock released, thelonious monk institute, herbie hancock, institute jazz, 1997 hancock, chord changes, thelonious monk, monk institute, monk institute jazz, music center, miles davis,
Approximate Word count = 981
Approximate Pages = 4 (250 words per page double spaced)
|
 |