Evaluation of Oboe Concerto by Vaughan Williams
The oboe is a challenging instrument, and composing for it poses many difficulties. To truly do the instrument justice, it must shine and blend all at once, and this piece certainly does the oboe justice. The limitations of the oboe are considered in the writing of the Concerto, but it still pushes some barriers. There are many difficult passages for an experienced player to master; some through endurance, others through a firm control of pitch. There are parts that are quite pleasing to the ear, while others are a little much. Also, consideration must be given to the instrumentalist herself, Celia Nicklin. There are aspects of her performance which do the part justice, while others are lacking. First an analysis of what seems challenging about the piece. Right from the beginning Vaughan Williams seems determined to use the full capabilities of the oboe. From the quietest dip into the low notes, to the soaring upper register, it is a stunning intro. The arpeggiated passages are of particular concern. The jumps and skips over fift
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Some common words found in the essay are:
Vaughan Williams, Celia Nicklin, technically demanding, vaughan williams, demanding feature piece, demanding feature, technically demanding feature, oboe concerto, control pitch, breath control, feature piece, jumps skips, pleasing ear,
Approximate Word count = 742
Approximate Pages = 3 (250 words per page double spaced)
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