Born in 1863 in Moscow, Russia, Constatin Sergeyevich Stanislavski is known

for pioneering many of the acting concepts and methods that are used in today's world of

acting. It is said that Stanislavski had the greatest effect on acting more so than anyone else in the 20th Century. From his ripe teenage years, Stanislavski was involved in theatrical productions in hopes of attaining his status as a respected actor in the performance community. Over a time span of 40 years he was involved in many facets of the performing arts which ranged from producing and directing plays to analyzing and understanding the meaning of acting.

Stanislavski earned international recognition during his lifetime for all of his contributions to the acting genre. However, in the United States and beyond, his legacy lives on today and is demonstrated by some of the greatest performers of the 21st Century who follow his guidelines and concepts. There are a plethora of books and research relating to Stanislavski and his acting method, many of which he wrote during his lifetime.

Many today follow his acting methods and comb through his concepts with a fine toothcomb in order to try to f

In order to completely grasp the Observation process an actor must understand these key ideas according to Stanislavski. Next, in the realm of Imaginary Circumstances, the actor must have clearly defined Goals, Obstacles, Tactics, and Expectations for the scene to be realistic as possible. Observation + Imaginary Circumstances leads to some defined and definite form of action which then leads the actor into Believing and finally Feeling the scene. Once again, while examining this hierarchy of steps, it is obvious to understand why some actors may never reach the stage of Feeling. In order for Feeling to truly occur, all prior needs or steps must be satisfied. This is similar to Maslov's Hierarchy of Needs in which Self-Actualization is the peak. Most people never reach this point during their lifetime because they fail to have a true awareness of what their reality demonstrates. This relates to Stanislavski's concept of Naturalism in acting because most people will never fully attain the natural state. Just because they understand the concept does not mean that they have the stamina and fortitude to reach a level of Feeling just as most people in everyday life do not Self-Actualize, hence the reason why so many individuals are not completely satisfied with their life.

ully understand his viewpoints. Complex and intricate as some of his ideas may have been, they have proven time after time to mesh extraordinarily well in relationship to acting. It is especially important to recognize that Stanislavski focused a great deal on the psychological aspects of acting and not just the physical state of acting. Naturalism was of specific importance to Stanislavski and that is the main focus of this paper. There is such a multitude of areas that Stani

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