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Frankenstein and its scientific paradigm

Frankenstein is a forceful novel written by Mary Shelly, it has raised many issues over the past years in which people of all social status have studied it. It is considered to be a gothic literature, however receives criticism from all areas of text study. The term gothic conjures up images of frightened women, graveyards, and haunted castles in the mist. Gothic is a literary term, which describes a particular type of story and atmospheric surrounding. In doing so, it often establishes a contrast between darkness and light, which evokes a sinister irony. As well as including a gothic frame, Frankenstein also contains a scientific outlook. The idea behind the creation of the monster speaks for itself as it is made possible by science. The term science is defined as the systematic study of the nature and behaviour of the material and the physical universe, based on observation, experiment, and measurement. Victor took advantage of science and the possibilities it offers to preform a sort of experiment, which turns into a horrific disaster.

In a world where a drug, a chemical or a piece of a technology has become the primary refuge for those who seek to rid their lives of imperfection, a scientist sought out to broaden his mind a


A great aspect of the Stoker novel was the fact that the author wrote Dracula using profound imagery. Stoker pays a great deal of attention to every detail, minute, as it may seem. An example of this would be when Stoker describes the castle as "Built on the corner of a great rock, so that on three sides it was quite impregnable, and great windows were placed here where sling, or bow, or culverin could not reach, and consequently light and comfort, impossible to a position which had to be guarded, were secured" As Joseph De Maistre once put it, "Man is so muddled, so dependent on the things immediately before his eyes, that every day even the most submissive believer can be seen to risk the torments of the afterlife for the smallest pleasure." In unison, Count Dracula makes his own world that he enjoys. Unpredictable savage, a reasonable way to describe Count Draculas mental and physical behaviour and manners.

It is Victor Frankenstein who begins this novel with his obsession of technology and what he perceives as the advancement of it. This is made clear by the way he abandons his life and goes to a remote and vacant location to work on his experiment. He isolates himself from everything he had in his life and begins work on the creature.

The creature later encountered a poor farming family. He watched the way that the different family members interacted with one another. In his observation of them he learned the lessons that his "father" had neglected to teach him. The creature learned the concepts of love and affection. When he watched the family he felt feelings of happiness, instead of feelings of loneliness. Eventually the creature had learned the family's customs and understood their way of life. He realized that even though the family was not rich by their standards, they were rich by his standards because they knew and felt the feeling of happiness, instead of fear and loneliness like himself. Once again, this raises questions from a scientific psychological viewpoint that if the creature had been nursed in a correct and proper manner would he have resulted into such a disaster. Because of his mistreatment by society, the creature turned to a life of death and destruction. The creature had a place inside of it that was empty; society forced him to fill that void with hate instead of love. The creature said it himself; if he had the sympathy of others, then his evil passions would flee. The creature's behaviour was directly related to how he was received by others.

nd penetrate the very limits of sanity, life and death. Dr. Victor Frankenstein, a passionate and thoughtful master of the natural sciences, curious at the subject of death and question the concepts of heaven and earth, decides to go to the extreme using the very knowledge he has acquired through his early years of childhood.

Fantastic text cannot be understood in isolation, the responder must look at the framework of the story. It cannot be understood by just reading it; some background information must be gathered about the cultural and social facts about the author. Fantasy is an enormous, seductive subject; anything that cannot be possible in reality can be manipulated into fantasy. All fantasy is a desire. It deals with the things that do not exist in reality therefore making fantasy fulfil our desires. Fantasy preforms to main jobs, it creates a character and then expels it. "Where there is no imagination there is no horror." - Sir Arthur Conan Doyle.



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Approximate Word count = 2351
Approximate Pages = 9 (250 words per page double spaced)


  

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