In Corrigan's book, The World of the Theatre, he lays the ground work for the use of language in successfully writing a play. Corrigan states in order for a playwright to be successful, they must have four essential qualities of theatrical language present in their work. These four qualities are: character consciousness while developing action, eloquence, use of gestures, and the quality of presences(Corrigan 230). In this paper I will discuss these four qualities of theatrical language, and provide examples of their theatrical success through the works of Arthur Miller and Samuel Beckett.

The first quality of theatrical language is to reveal the consciousness of the character while concurrently developing the action. Corri

This example shows how crucial the physicality is in this play. Gesturing is used to change the subject of discussion. The gesture, in this case, is irrelevant but the presence is the underlining motivation in changing the subject and wasting time. I think this use of gesture and presence is a central focus because they are not going anywhere or doing anything really important. The physicality drives the action. They are just waiting and hoping Godot will come and save them. During this wait there is a lot of time to fill. I think if Waiting for Godot didn't have the physicality it does, there would be no comedy and it would be very, very long and boring.

In Death of a Salesman the gestures and presence are slightly toned down. Willy is highly emotional and both angry and afraid at the same time. He puts on the physicality of a proud, confident person. In reality, he is very unconfident, afraid and angry. This contradiction is present in his personality.

Waiting for Godot is a prime example of the balance between characters' consciousness and action. At first it seemed both action and character consciousness were missing from this play. However, as the play developed, the characters became more conscious of their actions and existence.

The eloquence in Death of a Salesman is completely different. The rhythm seems quite a bit faster. Perhaps it is the "salesman" type speed Arthur Miller is trying to parallel. There is also a sense of awkwardness with his family. The relationships between the family members seem to be superficial. These relationships inspire the audience or reader to consider their relationship with their own families. In general, I thought reading Death of a Salesman was a long read that would just fly in a production.

I don't think the characters were ever conscious previously of their complete existence, but I think Beckett did this purposely to make a statement to the au

Some common words found in the essay are:
Waiting Godot, Death Salesman, Samuel Beckett, Estragon Vladimir, Emphasis AP-PALLED, World Theatre, Dramatic Literature, Salesman Willy, Arthur Miller, VALDIMIR Sometimes, theatrical language, death salesman, waiting godot, character consciousness, qualities theatrical language, qualities theatrical, quality theatrical, arthur miller, action character, action play, quality theatrical language, invokes strong emotions, takes hat, suicide invokes strong, hat peers inside,
Approximate Word count = 1304
Approximate Pages = 5 (250 words per page double spaced)