Criticism of Shame
Shame, published in 1983, a year before his most famous work The Satanic Verses, presents a fabulistic account in a country that disturbingly represents Pakistan. Critically, Shame is compared to Midnight's Children because the of its resemblances in themes and style. The idea for Shame, reported interviewer Ronal Hayman in Books and Bookmen, grew out of Rushdie's interest in the Pakistani concept of sharam, a word that denotes a hybrid of embarrassment, discomfiture, decency, modesty, and a sense of having an ordained place in the world. Reaction to Shame was mostly positive; many applauded the style of Rushdie's work and the themes it presented . Many critics appreciated the subject matter and presentation of Rushdie's work. Cathleen Medwick in Vogue stated, "His new novel. . . reveals the writer in sure control of his extravagant, mischievous, graceful, polemical imagination. (414, Editor) "Magic realism", a technique often employed by Rushdie is essential to the structure of how the story of the book is conveyed. Michael Gorra's charact
Like Midnight's Children, Shame has affirmed Rushdie's eminence as a gifted writer. Perhaps, Christopher Lehmann-Haupt had praised Rushdie among his peers most appropriately with his statement, ". . . Milan Kundera, Franz Kafka, Nikolai Erdmann and George Buchner. Here and there in the text, one can't help thinking of Gabriel Garcia Marquez. These are extraordinary writers with whom to be associated, but it's company that Salman Rushdie deserves." Indeed, with the melange of political narrative and cultural contemplation found in Shame, it is undoubtedly one of Rushdie's best works yet. erization of Rushdie's style stated, "His prose prances, a declaration of freedom, an assertion that Shame can be whatever he wants it to be coy and teasing an ironic and brutal all at once. . .[Rushdie's work] is responsive to the world rather than removed from it, and it is because of this responsiveness that the mode in which he work represents the continued life of the novel. . . and one wants something better to describe it that the term 'magical realism'- is an assertion o
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Approximate Pages = 3 (250 words per page double spaced)
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