In the first stanza, the speaker expresses the domain of the West Wind, and characterizes the effect of it on the land. It scatters the dead leaves and seeds on the forest soil, where they eventually fertilize the earth and take root as new growth. This concept of rebirth and the interconnectedness of life and death also plays as crucial role in the poem. The personified West Wind is characterized as being both "Destroyer and Preserver." This duality in nature is also an as

This cycle of death and in turn life is quite evident in many areas throughout the poem. Shelley believes that without destruction, life can not continue. The personification of the wind as both "preserver" and "destroyer" furthers this hypothesis. In addition to this, the ending of stanza one, with the speaker attempting to invoke the wind with the words "O hear," which reveals an aspect of Shelly's idea of imagination. This first of three attempts of Shelley to invoke the wind, and attempt to make some contact with the wind, is representative of the speaker making an effort to tap into the creative resource that is the wind, or more precisely, imagination, which the wind is symbolic of.

This concept of revitalization is again brought up in regards to the colors of the leaves. Shelley uses a metaphor of likening the leaves to "Pestilence stricken multitudes," that is, to sick and feeble humans. This metaphor is advanced by describing the colors of the leaves as "Yellow, black, pale, and red," which can be said to be describing all the races and creeds of humanity. The leaves, or the sickened humanity, is then personified as people within their graves: "Each as a corpse with their own grave," until the wind again, a representation of poetic inspiration, "shall blow / Her clarion o'er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odors plain and hill;" thereby allowing creative expression to be fully articulated, thus giving life, where there was previously death.

Shelley, much like his fellow Romantic contemporaries, felt that imagination, and not reason, was the most sublime form of human expression. In Ode to the West Wind, does Shelley echo this sentiment, as he feels completely incapable and impotent without the ability to imagine, think, and create. He so hungers for imagination he is willing to be embodied by a force that he himself describes as unpredictable and dangerous at times, in order to be able to use his creative powers. The central image of rebirth also correlates to Shelley's perception of imagination. His only solace in his time of un-inspiration is that he soon will be emotionally and imaginatively reinvigorated, as the creative power that co

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Approximate Word count = 1513
Approximate Pages = 6 (250 words per page double spaced)