Shakespeare's early comedies were classical in spirit but the later ones were more emotional, fanciful and humorous. 'The Merchant of Venice' falls between there two categories. It leads the list of mature comedies; has more Romantic characteristics than classical. It is also one of the earliest productions of the middle period. In this play Shakespeare seems to have obtained the highest use of his powers as a playwright, his faculties as a poet and philosopher seem to be approaching their grand maturity without losing the ardor and hopefulness of youth. There is loftiness of thought and expression.

Romance was an old tradition and Romantic ideas were common during Shakespeare's time. Romantic Comedy in the 16th C was meant for the Aristocracy and the comic relief in the plays was meant for the groundlings. There were many differences between the Romantic Comedies

The emotional depth of feeling that Bassanio feels for Portia is slightly different from that of Lorenzo and Jessica's. However one might argue that Lorenzo right from the start talks about "how I shall take her from her father's house, What gold and jewels she is furnished with", while Bassanio talks about a "fair lady richly left" to whom he "swore a secret pilgrimage". Later his speech does raise a lot of questions when he says that plainness moves him and we are all ware of his love for show. The impulse of true loves moves his to choose the lead casket! But we should not use too much of logic and accept it as part of a 'Romantic Comedy.' 'The Merchant of Venice' is informed with the idea of love's wealth and how love is about giving away and not shutting and rejecting.

There was also a predominance of young people in Romantic comedies and many pairs of lovers and multiple marriages were present. Most of them were set on a foreign canvas and dealt with either business or domestic affairs of the Merchant class. Venice was probably an evocative name for the Elizabethans and was a source of inspiration. Shakespeare presented a Venice that lived in the Elizabethan mind and it was a city of rich merchants and gentlemen in silks. And then he gave the picturesque environment of Belmont and the starlit garden at the play's end. The exotic locations could also be a reflection of the tremendous development that was talking place in navigation and exploration during the European Renaissance.

Although Portia admits that the "will of a living daughter" is curbed by the "will of a dead father" respect for him is evident when she says "I will die as chaste as Diana unless I be obtained the manner of my father's will."

The love of friendship seems to dictate most of Antonio's actions. He signs the Flesh Bond and it can be seen as the ultimate gesture that he can make for the sake of friendship. Bassanio also reciprocates, but his feelings are not on par with that of Antonio's. And there seem to be several levels of friendship represented throughout the play. The friendship of Bassanio and Antonio is contrasted with that of Shylock and Tubal. The play opens with a friendship scene, friendship is an important factor in the trial scene and the play ends demonstrating what friendship will do.

and classical comedies. In the classical tradition, the characters were presented with ruthless force and the pl

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