The most obvious difference I believe would be the moment in time that both artists chose to represent in carving their Davids. Bernini's David seems to be right in the middle of the battle. He is in the process of using his sling in order to defeat the horrible Goliath. The muscles in his legs are very tight as he is stepping forward. His arms and chest seem to be tensed as if he is in the process of gathering momentum in order to issue a powerful blow with the rock that is about to be hurled from his sling. Also the activity of slinging the stone seems to be pulling David's robe from his body but Bernini chose to capture this action before he is actually exposing any nudity. This statue was carved during the Baroque Era and is typical of this era because it depicts the subject in motion. This "busy" work of art certainly represents action in ever

In conclusion I would like to mention that both of these statues are beautiful and awesome in their own right. Bernini's figure seems to exude physical strength and aggression which is exactly what is needed in order to defeat the terrible and mighty Goliath. And even though Bernini didn't go as far as sculpting David's adversary you still get the feeling that he is situated right in front of him. Bernini did such a skillful job of carving his David that it tells a story without words. In comparison Michelangelo's David seems very still and confident. This David exudes a quiet and calm right before the battle with Goliath. He seems to be preparing to defeat his adversary with skill and intellect. Michelangelo's David has a noble and respectable quality about him. In saying this it is my belief that discussing the differences in this paper has actually given me a better understanding and appreciation for what both artists accomplished when they sculpted their own versions of the remarkable man known as David.

As far as facial expressions are concerned if you study Bernini's David you can see that he has a very forceful and determined look. The muscles around his mouth are being held in a rigid state and his eyes have an intense look of deep concentration. His brow is knitted together as well which adds to his look of intensity. As you observe further you can see that his hair is tussled and laying haphazardly on his head. Michelangelo's David on the other hand has a very sure and complacent look to his face. He doesn't seem to be very concerned about his upcom

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