The Emperor Charlemagne in La Chanson de Roland
La Chanson de Roland (The Song of Roland) is an Old French epic poem that belongs to the genre of the chanson de geste. Literally translated as "song of deeds", they can be considered the foundation and beginning of French literature. Emperor Charlemagne is one of the main protagonists in the poem who is based on a historical figure but takes on epic proportions in the context of the chanson. It is evident from the text that, while Charlemagne's character is at its highest point of nobility in La Chanson de Roland, his character is simultaneously undermined. The ways in which Charlemagne's character is constructed in the chanson reflects changes in both the literary and historical worlds that occurred contemporaneous with the creation of the poem. This depiction of Charlemagne's character is a watershed in the evolution of the genre and of French Literature.A reader must always remember that the foremost theme of this poem is the triumph and superiority of Christianity over foreign religions and foreign civilizations (i.e. the Saracens). "The Song of Roland evolves around the image of an old king whose mission is the establishment and constant defense of an empire beloved of God" (Uitti, 65). Therefore Charlemagne, as the
Charlemagne's mourning scenes at the death of Roland in laisses 177 and 207-210 (Sayers, 143; 161-163) are some of the most poignant displays of emotion in the entire poem. These distinctly human reactions show Charlemagne in a human and vulnerable light. Often in the poem, especially at council in opening laisses, Charlemagne appears to be cautious and hesitant to make decisions. When contrasted with the rashness of Roland, Charlemagne "was a man not hasty in reply / But wont to speak only when well advised" (p. 56, laissez 10). Modern audiences might not find that this characteristic of Charlemagne detracts from his characterization in the poem or ability as a leader however it breaks down the epic character of the emperor. French literature of the twelfth and thirteenth centuries, which is famous primarily for its romances and other stories of the adventures of chivalrous knights, is indebted to La Chanson de Roland for its presentation of the king Charlemagne. As the social and political climate of France evolved, French literature reflects these changes and the eventual rise of feudalism as a viable sociopolitical system. The foundations for the rise of feudalism are clearly found in La Chanson de Roland, which serves as a watershed in the development of French literature. Holy Roman Emperor and leader of the religiously devoted Franks, is represented in the poem as the incarnation of Christianity on earth. "The memory of the imperial power of the historical Charlemagne contributes potently to the original mystery of the epic king of France. But it was Charles the warrior, the right arm of the Church, the valiant defender of Christendom against pagan and Infidel invasion that comes most prominently into view" (Comfort, 285). Charlemagne, with the help of his knights, has been divinely elected to carry out the all-important mission of spreading Christianity across Western Europe. They are engaging in what they interpret as God's will by conquering Saracen civilization ultimately converting pagans. Charlemagne's close ties with God and Christianity are evident all throughout the text and can be illustrated with several examples. Most demonstrative of Charlemagne's role as divine agent on earth is the series of three dream
Some common words found in the essay are:
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Approximate Word count = 1523
Approximate Pages = 6 (250 words per page double spaced)
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