Invisible editing is a basic rule in continuity editing. Realism is the genre followed by this editing style- which seeks to advance action and convey literal meaning. As this style emulates real life and the way our eyes sees things, the cut is the most common transition device employed by editors to advance the story. Realism also means that the editor has to ensure temporal(time) and spatial(space) continuance between scenes and invisible edits between shots. This means that one cannot show a sequence of, for example, a man wearing a red jersey moving from left to right playing soccer on a field in the early morning on the shot and cutting to him wearing a blue jersey moving from right to left at night on the next shot. Both the time and space have changed without a p

However, this rule is different when discussed in relation to other styles of editing. In dynamic editing, the aim is to create impact and affect moods more than to tell a story or convey an idea. According to Ungurait, "dynamic cutting was a film-editing style, characteristic of polemic documentaries and propaganda films, in which separate shots are joined or contrasted in such a manner as to give significant expression to basically nonpartisan material." In dynamic cutting, the film's impact is achieved in the editing room rather than during the original shooting, typically through clever juxtaposition and rapid pacing. Time and space continuity is often disrupted, and edits are visible and sometimes deliberately obvious. Editing rhythm is motivated by external factors such as music or rime, rather than content. Therefore, most MTVs comprise of dynamic editing, as well as commercials. In Lar'c en Ciel's MTV "Honey", shots of the band performing the song is juxtaposed with a woman crawling towards a stream of honey, as well as a golden snake advancing forward. There is no specific idea or continuity in the action, simply a montage of aesthetically pleasing shots that match the flow of music.

roper explanation and thus the illusion of reality is broken. Invisible editing(and cutting) is most important in action sequences because the audience is psychologically intent on the moving images that a cut in the film, if unobtrusive, is unnoticed.

Flash cuts and flash frames are also a common techniques used in dramatic editing. In Flash cutting, shots of very brief duration intercut to create a sharp dramatic impact or shock effect. Flash frames comprise of a shot of only a frame or a few frames duration, sometimes a single frame, which can just barely be perceived by the audience. Although jump cuts and flash cuts may often jar the audience unnecessarily in continuity editing, dynamic editing tries to employ these methods to achieve a tremendous impact on the story, relationship of characters, and the ideas being developed. An example of this hap

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