99,000 Essays & Term Papers: Where You Buy Essays and Papers Online
Direct Essays, Where You Can Buy Essays and Papers Online

Instant Access to Buy Essays and Papers Online!
Acceptable Use Policy
Customer Service
Site Search


Login to View Essays and Papers Online

Join Now - Instant Access to Essays and Research Papers!

  Essay and Research Paper Topics
Acceptance Essays
Arts Essays
Custom Essays
English Literature Essays
Foreign
History Essays
Miscellaneous Research Papers and Essays
Movie Essays and Papers
Music Term Papers
Novels
People and Biography Research Papers
Politics Research Papers
Religion Research Papers
Science Essay Topics
Sports Research Papers
Technology Research Papers
 
  FAQ
Technical Support
Site Map
Direct Essays
 

 



Welcome to Direct Essays

This is a short summary of this paper!

Already a member? Go here to log in and view the entire paper!


Join Now!
by: Credit Card
Join Now!
by: Online Check
Join Now!
by: Phone 1-900
Special! View this paper for FREE!
  

Richard Long

The term "Conceptual Art" is based on the simple but revolutionary premise that art should be mainly about ideas instead of material objects. In other words, artists should focus on what they think, not on how things look. Conceptual artists usually set aside the traditional processes of art like painting or carving. [Sol LeWitt, Paragraphs on Conceptual Art] Consequently, their work can be confusing because it does not fit the conventional definitions of what art is and often it doesn't even fit comfortably into the places we associate with viewing art, such as galleries or museums.

One such conceptual artist is Richard Long who essentially makes art out of nature. Some of his pieces are long spontaneous hikes designed to bring art into nature, such as his clockwise spiral walk through central England, entitled A Thousand Miles, A Thousand Hours. Other works include bringing his journeys and hikes into museums and galleries where he draws simple figures like circles out of the sediment from the places he has been. Although, his work may seem very simple and mundane there is a fascinating quality about his work and he is an important conceptual artist who is well worth studying. [www.richardlong


Long translates his deeply personal experiences in the wilderness into sculptures and mud drawings that are created for exhibition spaces and private collections. Pieces composed of flint, slate, feathers, pine needles, sticks, and other rustic materials become metaphors for the paths taken on his ramblings: the spirals, circles, and lines, if extended beyond the gallery walls, would trace actual distances traveled by the artist. [BBC Audio Interviews: Richard Long] The sculptures are not, therefore, representations of nature per se but rather aesthetic documents of Long's engagement with the land and poetic evocations of the beauty and grandeur of the earth. Such is the case with Red Slate Circle, which consists of 474 stones from a New York State quarry. When it is installed in the Guggenheim's rotunda, the monumental ring echoes the building's unique spiral while conjuring images of vast canyons, still lakes, and stone pathways leading into the distance.

BBC Audio Interviews: Richard Long, October 28, 1998, Richard Long talks to Robert Cork, www.bbc.co.uk/bbcfour/audiointerviews/profilepages/longr1.shtml

In the 1980s, Long began making new types of mud works using handprints applied directly to the wall. He also constructed large lines and a circle of stones, slate, and sticks, often collected on his walks or, in later years, from locations near the exhibition sites. In 1986, the Solomon R. Guggenheim Museum organized a major exhibition of Long's work from the 1970s and 1980s. In 1988, Long was given a solo exhibition at Neue Galerie-Sammlung Ludwig, Aachen, in conjunction with his receipt of the Kunstpreis Aachen. In 1989, he was awarded the prestigious Turner Prize in London. The Hayward Gallery, London, organized an exhibition of Long's work in 1991. [BBC Audio Interviews: Richard Long; www.bbc.co.uk/bbcfour/audiointerviews/]

To conclude, Richard Long is a truly unique and influential conceptual artist, which we can learn a lot from. His work has been featured in many prestigious galleries and his name has become a popular one in the modern art world. The simple yet ingenious idea of using nature as the subje

Some common words found in the essay are:
Slate Circle, SUNDANCE SQUARE, James Turrell, Space Expanding, Mexico Bolivia, Art Consequently, Interviews Richard, Summer Circle, Circle Long's, Conceptual Art, conceptual art, conceptual artist, cornwall summer circle, bbc audio, interviews richard, audio interviews, audio interviews richard, cornwall summer, bbc audio interviews, summer circle, galleries museums, dimension kinetics space-time, expanding fourth dimension, dimension kinetics, fourth dimension,
Approximate Word count = 1440
Approximate Pages = 6 (250 words per page double spaced)


  

More Essays on Richard Long

Richard III is not useful because it is historically incorre2803 words
Language in Shakespeare1237 words
Richard the III726 words
Looking For Richard1079 words
Aenid814 words

Look at even more essays on Richard Long
More Arts Essays

Professional Papers:
Modern Sculpture in the 1980s2673 words
GREAT BRITAIN ART SCENE The art scene in Great Britain turn1091 words
LONGTERM RECIDIVISM This resea501 words
Richard Wright1583 words
Richard Wrightamp39s book Black Boy2225 words
ampquotRichard Coryampquot2573 words
Special! View this paper for FREE!
Click here to JoinNow!
by: Credit Card
Click here to Join Now!
by: Online Check
Click here to Join Now!
by: Phone 1-900

 

All papers and essays are for research and reference purposes only!
Copyright 2002-2009 Direct Essays , LLC. All Rights Reserved. DMCA
Webmasters make $$$$
Saved Papers