The Gilded Six Bits critique

A detailed Summary of The Gilded Six Bits critique

The Harlem Renaissance of the 1920's and early 1930's was a period of immense African American literary and intellectual activity, centered in Harlem, New York City. During this time many writers emerged, among them Zora Neale Hurston and Richard Wright. Respectively their works "The Gilded Six-Bits" and "Almos' A Man" are literary reminders of the early South.

While attending college in New York, Zora Neale Hurston became part of the Harlem Renaissance's literati and hung out with the likes of Langston Hughes, Wallace Thurman, and Jessie Fauset. She termed the black literati the "niggerati". She became well known not only for her writings, but for her outspokenness, her distinct way of dress, and her refusal to be ashamed of her culture.

Many critics considered her works politically naive, and the blac

Richard Wright began his career in the early thirties publishing poetry and short stories in such magazines as Left Front, Anvil, and New Masses. Unlike Hurston, Wright was propelled to international fame while still in the prime of his career. His works were acclaimed by numerous noted individuals; often comparing him to the likes of Theodore Drieser and John Steinbeck.

Hurston skips scenes, and allows the characters to tell stories of their experiences to reveal the oral tradition that simultaneously complements and complicates the characters. Hurston furthers this by including folk expressions in the narrative, such as, "way after awhile", "make his market", and "mess of flowers". Religion and other values and beliefs are revealed by metaphors and other expressions. For example, Missy May comforts

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Approximate Word count = 549
Approximate Pages = 2 (250 words per page double spaced)

Category: English

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