In the world of The Tempest , Ariel, the airy spirit, and Caliban, the earthy monster, can be described as character foils. Unlike and contrasted as they are, they have some traits in common. They both have an aversion to labor and a longing for liberty. Also, they have a primitive sense of humor, a fondness for tricks and pranks, and a spontaneous and unsophisticated love of nature. Furthermore, deeper inside them, one has a fear of a higher power and the other a craving for affection and approbation. Thus, the contrast between them is heightened.

Ariel and Caliban symbolize, respectively, pure language and pure body. The name of Prospero's language is Ariel, who symbolizes his word in action, the precise fulfillment of his desires, who operates as an extension of Prospero's body. In a way, Prospero, through his creative word, Ariel, can be seen as being omnipresent. However, Ariel chafes under his master's control, desiring a liberty that would ironically reduce him to nothingness, dispersing him into thin air.

Caliban, the son of the evil witch Sycorax, is

Throughout her life, which began at age three on the island, to the time in which she met the only other human contact, Ferdinand, at age fifteen, she learned many things from her father about life and all its complexities. Living on this island, Miranda is a product of " nurture" rather than that of "nature."

The time in which Prospero has his magic is limited in that at the end of the play Prospero has Ariel gather everyone around in a magic circle. But before he does this he confesses to Ariel his intentions of this meeting. He explains to him that his intentions of the meeting are not cruel, that the time has come that he set free the court group, and that he will give them their right minds back. As Ariel goes and does this, Prospero gives a soliloquy in which he states his intentions of his future. In this soliloquy, Prospero tells of his supernatural powers through magic and says that it is time for him to give up his magic. He says that he will break his magic staff and bury it deep in the ground, and he will sink his magic books deep in the sea.

The term nurture refers to the upbringing or raising of a child. Miranda's father is her upbringing. He guides her from her early years on the island all the way through her first meeting of human contact. Miranda had to grow up on a deserted island with no other human contact and having to live by and trust only one person's point of view. It is hard for us the fathom the idea, but to her it was all she knew. Her trust in her father was unparallel to any other. She is a product of nurture; she had no other choice. Miranda could not be a product of nature simply because she only had her father to look up to, abide by, and learn from, as a result of having no other human contact. To be a product of nature one has to be brought up in an environment in which there are many things to learn from and experience. Miranda had no other persons to learn from. A person needs to be exposed to different values and beliefs, different morals and opinions. To see and understand these things, one needs to be in contact with them at all times.

The character of Miranda, the daughter of Prospero, symbolizes all that is innocent, pure, and simple. Yet her compassion, as real as it is, also has a certain element of shallowness, or at least inexperience about it. She has lived the majority of her life in isolation,

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Approximate Word count = 1608
Approximate Pages = 6 (250 words per page double spaced)