In the Wild Duck, Henrik Ibsen begins his play by emphasizing the .
He uses the theme of light to contrast Old .
Werle, a stingy rich man, with Old Ekdal, a poor helpless man. Ibsen .
connects the color green with the loss of eyesight of Old Werle. A .
possible affair between Old Werle and Gina, Hedvig's mother, may .
suggest the cause of Hedvig's loss of sight. By using sun and moon, .
Ibsen establishes the atmosphere of the scene. The story line .
deteriorates from peaceful to tragic. Similarly, does the setting in .
the last four acts. In the Wild Duck, Henrik Ibsen employs the image .
of light to portray certain characteristics in order to construct the .
plot and to adjust the mood of the scene. .
F.L. Lucas analyzes the opening arrangement and writes "In the .
outer room the lamps are dimmed, with green shades, in contrast to the .
brilliance of the room behind"(190). We understand that this meant .
that the outer room, lit with soft and shaded light, implies poverty, .
where as the inner room, illuminated with bright candles, expresses .
wealth. The darkened room, insinuating poverty, is the office in which .
the poor Old Ekdal 'does some extra copying,' and in return receives a .
small income. The inside room, representing wealth, is Old Werle's .
dining room where he was hosting a party. The distinctions of these .
two lit rooms contrast Old Ekdal and Old Werle. .
"In contrast to Werle's party, the lighting is of comparative .
poverty 'on the table a lighted lamp'"(190), explains critic, F.L.
Lucas. Unlike Old Werle's expensive and exquisite illumination, a .
small inexpensive lamp lights the Ekdals home, displaying poverty. .
This dissimilarity shows another significant distinction between Old .
Werle and Old Ekdal. .
The distinctions of the light between Old Ekdal's and Old Werle's .
homes is illustrated in the following incident.It is brought to the .
reader's attention that in the following quotation Old Werle and Old .
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