Arthur Miller's "Th e Crucible" is clearly a representation of the true meaning of tragedy. John Proctor was the medium, in which Miller utilized to convey a universal depiction of tragedy. A broad definition of a tragic hero is a protagonist who, through faults and flaws of his own and in the society in which he exists, falters in the grand scheme of things. This mistake leads to suffering, which ultimately leads to a self-realization. Miller, himself, explained, "Tragedy, then, is the consequence of a man's total compulsion to evaluate himself justly," (Miller, Tragedy and the Common Man) leading us to believe that a greater theme encompasses this downfall. In Miller"s article he conveys that tragedy revolves around two universal aspects: fear and freedom. "The Crucible" is a direct parallel to the multiple ideals of tragedy and thus centers on John Proctor's fear, freedom, and pride while he exists as a tragic hero.

             The first stage in the process of establishing the tragic hero for Miller was relaying the characteristics of John Proctor. It was essential that Proctor be viewed as the "good guy" in the plot, one who stands out or the audience can relate to. By describing the tragic hero as a "strong, steady, farmer" the dramatic effect is even greater. (pg. 1044) Thus, John's physical description is an apparent parallel to the changes he emotionally undergoes making him a dynamic character. Miller also establishes Proctor as the protagonist by giving him qualities the audience found favor with. John went against the normality and conceptions of the townsfolk. Proctor's practical nature is indicated when he often does not attend Church in order to plow his fields and provide for his family. He does not agree with Parris' talk of hell, exclaiming, "Can you speak one minute without we land in Hell again?" and thus turns away from the Church. (p.1049).

             The second step in creating the tragic hero is emphasizing the mistake or flaw which brings upon the character's descent.